Reviewed by: Raphael Vera
What does the title Son of God mean?
Is Jesus Christ a man, or is he God? Answer
If Jesus is God, how could he die? If Jesus died on the cross, then how can he be alive today? Answer
Was Jesus Christ God, manifest in human form? Answer
Is Jesus Christ really God? Answer
If Jesus was the Son of God, why did He call Himself the Son of Man? Answer
Could Christ have sinned? Answer
ARCHAEOLOGY—Have any burial sites been found for the people involved in Christ’s life and death? Answer
How do we know the Bible is true? Answer
How can the Bible be infallible if it was written by fallible humans? Answer
How did Jesus Christ die? Answer
About JESUS CHRIST—Answers to frequently-asked-questions
Miracles, including list of biblical miracles
Why was Christ’s New Covenant viewed as a threat by some Jews?
Satan (edited out of the film)
Is sola Scriptura a biblical or a man-made concept? (Traditions vs. Scripture alone)
QUIZ—Catholicism and Protestantism.
Do you think like a Protestant or a Catholic?
|Featuring:||Diogo Morgado … Jesus Christ
Darwin Shaw … Simon Peter
Roma Downey … the Virgin Mary
Greg Hicks … Pontius Pilate
Sebastian Knapp … John
Amber Rose Revah … Mary Magdalene
Adrian Schiller … Caiaphas
Andrew Brooke … Antonius
Louise Delamere … Claudia
Said Bey … Matthew
Matthew Gravelle … Thomas
Simon Kunz … Nicodemus
Joe Wredden … Judas
Fraser Ayres … Barabbas
Paul Marc Davis … Simon
Joe Coen … Joseph
Leila Mimmack … Young Mary
Rick Bacon … Herod Antipas
Anas Cherin … Lazarus
|Producer:||Hearst Entertainment Productions
Roma Downey … executive producer
Mark Burnett … producer
Richard Bedser … producer
Eduardo Verástegui … executive producer
|Distributor:||Twentieth Century Fox Film Corporation|
“I am John, and I was one of his [Jesus’] followers. After what I had seen, how could I not be?” And so begins the account of Jesus Christ “The Son of God.” From his miraculously foretold coming centuries earlier to his birth in an obscure village, not among the rich and powerful, but among the poor, he was both God and one of us at the same time.
John narrates a montage of scenes depicting the world since God’s creation and his reaching out to us through the forefathers of faith, including Noah, Abraham and Moses before showing us Jesus, played reverently and with a very human charm by Diogo Morgado, as he begins his ministry. After he calls his first disciple Peter (Darwin Shaw), it is mentioned briefly that he selected the rest of the twelve almost as though Peter was the only one that mattered, making it clear that this disciple will be ‘center stage’ for the rest of the film.
The religious elite, perceiving Jesus to be a threat to their authority over the people, begin to challenge him at every turn, while a nonplussed Jesus continues to do all that the prophets of old foretold that the savior, the Messiah would one day come to do:
While the language is clean throughout, and there is no overt sexual imagery, aside from a brief flashback to Adam and Eve, and this only from the shoulders up (nudity implied), the strongest visuals were in the violence category. Roman soldiers are seen beating the populace and killing with swords (mostly bloodless) and only once did you see, in silhouette form, a sword enter and leave a man, accompanied by blood splattering.
Pontius Pilate, sparing gladiator style, appears to have killed his opponent, Peter is seen slicing the ear off a man assisting in the arrest of Jesus, and a man hangs himself. A lamb’s throat is slit for a Passover sacrifice, and blood is shown. A child is crushed by an overturned cart, and there is, of course, the beatings, torture and crucifixion of our Lord Jesus. Jesus is beaten by fists, slapped, spat upon, whipped, forced to wear a crown made of thorns and finally nailed, through his hands and feet, to the very cross he carried for us, his very creation. Parents should definitely exercise caution with regards to small children.
That being said, the last third of the movie focusing on Jesus’ death and resurrection are the most riveting and moving parts of the movie. The rest of the film is less so, and I think this is for several very evident reasons.
First, many of scenes are done vignette style, no more than a few minutes in length. The miracle of Jesus raising Lazarus from the dead could not have been more than 3 minutes in length before it faded to black, a technique used often and usually without fanfare or John’s narration, which was sorely missed at times.
Second, for a movie largely on the ministry of Jesus Christ it surprisingly featured only a few of the many miracles he actually performed, and those that were contained (i.e., feeding of the 5,000, resurrection of Lazarus, walking on water, healing of the ear Peter cut off) were often too brief to be fully appreciated.
Third, an inordinate amount of artistic license was used throughout the production such as the misattribution of lines from one person to the next. This is especially hard to rationalize when things Jesus clearly said are instead delivered by a disciple or on another occasion a clandestine supporter of Jesus, the Pharisee Nicodemus (Simon Kunz), is seen verbally accosting Jesus in public when actually others had done the challenging. Then there are also many instances of misquotes, such as when the film has Jesus saying, “I am the way and the truth and the Love” when it actually is “…and the life” (John 14:6). There are no interpretations of the Bible that can account for these errors.
Lastly, there is dialog that both average believers and Biblical scholars would be hard pressed to believe—Jesus saying John the Baptist was the “greatest teacher” he ever knew, Nicodemus calling Jesus “clever” in a condescending way, a fellow disciple asking Peter where he was after the arrest, since he was supposed to be the “rock” or, to mention just one more, when John closes the film by saying that “…with Peter as our leader” they went out to the whole world.
Perhaps these issues are mainly the concern of Christians who are intimately familiar with the Scriptures, but I can’t help but think that anyone being exposed to the Gospels for the first time through this film may get confused by such inconsistencies once they dive into the true, and proven infallible WORD of God, and there was no need for this.
A case can be made that “The Son of God,” especially during the final act, at the very least makes us mindful for a little while of worthier things (Philippians 4:8), but, unfortunately, the film feels out of place in a theater and is better suited to the small screen. Its fast and loose treatment of the source material may work well with those unfamiliar with the Gospel, but seasoned Christians may feel uncomfortable with both its numerous inaccuracies and factual errors, and come away asking themselves why the producers felt they needed to improve on the truth. I know I did.
Violence: Heavy / Profanity: None / Sex/Nudity: Minor
Reviewed by: Dr. Elizabeth Mitchell
“In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning” (John 1:1–2). These words open John’s Gospel. By opening the feature film “Son of God” also with these words,1 filmmakers Mark Burnett and Roma Downey declare their intent to portray the life of the eternally existent Son of God, Jesus Christ.
Fully God, the Son of God became fully man. “The Word became flesh and dwelt among us” (John 1:14), the Apostle John goes on to tell us in the film. The opening scenes rightly review the truth that the Son of God was busy in the affairs of man throughout the Old Testament. By coming into the world as a human being, Jesus Christ became the ultimate way in which God the Father communicated His love to mankind (John 3:16; Hebrews 1:1–2).
Sadly, however, after this powerful beginning, the film fails to ever make it clear just why Jesus came and why He died.
Gentle Jesus meek and mild
Here’s a Bible story for your little child.
Here I make a play on the Charles Wesley hymn, which connects the character of Jesus to His identity as the Lamb of God, who according to John 1:29 takes away the sin of the world, and to His transforming grace. This movie shows us the meek and mild Jesus, but fails to make the connection to sin, repentance, and salvation.
To many people, the word “story” implies “fairy tale,” but the Bible is not a book of fairy tales, and its historical accounts should never be presented as such. Bible “stories”—by which we mean literary adaptations of biblical history—are fine insofar as they portray the people and events described in the Bible as real and historical; this film does that. The best Bible “stories” do not alter biblical facts; unfortunately, this one does present some facts inaccurately, though not much more than most such films. But Bible “stories” fall short when they selectively leave out the parts of the biblical history that carry the Bible’s theological message, the essential truths and teachings—most unfortunately, that describes this rather Pollyanna-version of the life of Christ.
Each family has to decide how much dramatic license it is willing to tolerate in a “Bible movie.” Historical inaccuracies, though few, range from the minor to the major. One significant error involves cinematic Peter’s immediate insight as to the nature of Christ’s Resurrection as not only a “disappearing body” but a Resurrection to a life that would make Him ever-present with His followers. The real Peter and John, finding the tomb empty (John 20:3–10), believed the body was gone, but remained somewhat confused (John 20:9) until Jesus later surprised them by appearing to them in a locked room. The cinematic Peter, however, instantly knows that the empty tomb means Jesus is not merely gone but instead exclaims, “He’s back!” Then rushing to the helm of apostolic leadership—rather than awaiting personal encounters with the risen Lord as the Bible records—cinematic Peter, by administering the Lord’s supper (“This is My body… this is My blood”) to his fellow disciples, almost magically conjures Jesus’ first appearance to them.
Historically accurate aspects of “Son of God” include its portrayal of the fact that the Jewish people of the time wanted a political-military messianic figure. Most failed to understand the sort of Messiah God had sent them. This historical misunderstanding shows itself clearly after the feeding of the 5,000 when, having eaten the miraculously provided meal, the crowd clamored to make Him king (John 6:15). But while the failure of both the people and the Jewish leaders to be satisfied with God’s Messiah is depicted, the fact that Jesus Christ came to save people from theirs sins—sins that otherwise would doom every one of us to hell for eternity—is missing as much in the film as in the miniseries that aired last year.
Largely cobbled together from The Bible miniseries that showed in six parts on the History Channel last year, “Son of God,” as a full-length feature film focusing just on the earthly ministry of Jesus Christ, had the opportunity to make the message of the gospel clearer, but really added nothing that would do so. Thus Son of God’s main weakness is not so much the dramatic license it takes with the actual history; the film’s weakness is in what is missing—the gospel.
If the producers only wished to film a good story, that would have been okay. After all, the life, death, and Resurrection of Jesus Christ really make a wonderful narrative, made all the more wonderful because it is true. But the producers have declared their wish that the movie and the miniseries would reach many people with the Word of God. Films can do that, and—while I hope this one does—I fear that Biblically illiterate viewers will see nothing in the movie to help them understand how Jesus’ death should benefit them. Though grossing well at the box office, it remains nothing more than a fairly incomplete depiction of Christ as a happy, smiling, wandering miracle worker that made some downtrodden people feel good about themselves.
By comparison, the 1979 “Jesus” film set out to film a life of Christ strictly from the Gospel of Luke. That film retained the gospel message and included a narration at the end to make sure viewers understood what the death and Resurrection of Jesus had to do with their eternal destiny. As a result, the “Jesus” film, distributed through the Jesus Film Project, continues today to be a valuable tool in the hands of missionaries around the world.
“Son of God”, by contrast, left me wondering if I would have had a clue why the Son of God bothered to get born into this world or why He died on the Cross if I had not already learned from the Bible that I am a sinner and been saved by repenting and trusting in the grace made available to me because Jesus carried my sin and guilt to the Cross (2 Corinthians 5:21).
As with The Bible miniseries, there are some gaps in the gospel message of “Son of God”. We hear that Jesus is “the way, the truth, and the life,” but we don’t learn that “no one comes to the Father except through Me” (John 14:6). Jesus announces at the Last Supper, “This is My body … This is My blood,” and He commands them to repeat these actions in remembrance of Him (1 Corinthians 11:25–26). However, the filmed dialog leaves out the reason His blood was about to be shed: “This is My blood of the new covenant, which is shed for many for the remission of sins” (Matthew 26:28, emphasis added). Thus the fact that Jesus Christ’s shed blood provides the only way (Acts 4:12; John 14:6; 1 Timothy 2:5–6) to satisfy justice, atone for sin, and reconcile us to God (Romans 5:8–11; 2 Corinthians 5:18) will not be clear to movie-goers who are not already familiar with the gospel. Instead of going to the Bible, a Bible-believing friend, or Bible-teaching church to find out the whole truth, they may simply just wonder why this sort of Jesus is such a big deal and why the film claims He has changed the world.
Truly, I cannot find fault with a movie for simply leaving out some of the things that Jesus did, but I find great fault with this film because its omissions distort the central purpose of Christ in coming into the world. The Bible itself records only a selection of teaching and events, as John 21:25 clearly states, “And there are also many other things that Jesus did, which if they were written one by one, I suppose that even the world itself could not contain the books that would be written.” But the teachings, miracles, and events recorded in each Gospel account in the Bible present a complete picture of Jesus Christ as the Son of God and Savior, full of both grace and truth (John 1:14) about how sinful each person is and how much in need of redemption. The Apostle John, under the inspiration of the Holy Spirit, also writes in his Gospel, “And truly Jesus did many other signs in the presence of His disciples, which are not written in this book; but these are written that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in His name” (John 20:30–31). But the Gospel accounts in the Bible nevertheless do present a balanced account of Jesus’s life, teachings, and post-Resurrection appearances.
But we must surely find fault when a film about the Son of God fails to drive home His mission of coming to seek and save the lost (Luke 19:9–10), calling them to repent and believe in the gospel (Mark 1:14–15). Those who see this film with their unbelieving friends need to be prepared to use the Bible to fill in the gaps in the anemic representation of the gospel and correct the many errors if they wish to use the film to make an eternal difference.
by Christian speaker Justin Peters
This review will pertain to matters of historical and theological biblical accuracy. I have seen the movie once and did my best to take notes on as much as I possibly could. What follows is not—by a long shot—a comprehensive list of the problems with “Son of God” but does hit some of the more egregious ones.more »
See list of Relevant Issues—questions-and-answers.
Editor’s Note: The belief system of the movie’s producers Roma Downey and husband Mark Burnett is Roman Catholicism and New Age.
• Downey: “We’re members of Our Lady of Malibu… I began my lifelong devotion to Mary, the Mother of God. …I have a wonderful loving relationship with Mary as part of my daily prayer routine. …” —Peggy Bowes, “Angels, Smiles, and Saints: An Interview With Roma Downey,” Catholic Lane (November 3, 2011).
• Roma Downey “graduated from the University of Santa Monica [a private school founded by New Age author Roger Delano Hinkins, aka John-Roger Hinkins] with a Master’s degree in Spiritual Psychology” —Patricia Harty, “What Are You Like? Roma Downey,” Irish America (October/November 2013). The school is part of the MSIA (Movement of Spiritual Inner Awareness) (see Christian Research Institute statement about MSIA).
• Downey enthusiastically endorsed the school president’s (H. Ronald Hulnick) book Loyalty To Your Soul: The Heart of Spiritual Psychology.
• Downey collaborated with psychic medium John Edward (Book: Practical Praying: Using the Rosary to Enhance Your Life, John Edward—accompanied by CD featuring Roma Downey explaining and demonstrating rosary prayer—Google search). She also appeared on his “Crossing Over” TV seance show to talk to her dead mother through Edward (first broadcast April 9, 2002).
• Downey is one Ireland’s wealthiest people with £222-million, according to the Belfast Telegraph news organization (March 12, 2013).
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