Today’s Prayer Focus

Crossing Over

MPA Rating: R-Rating (MPA) for pervasive language, some strong violence and sexuality/nudity.
Moral Rating: not reviewed
Moviemaking Quality:
Primary Audience: Adults
Genre: Drama
Length: 1 hr. 53 min.
Year of Release: 2009
USA Release: February 27, 2009 (limited—9 theaters)
DVD: June 9, 2009
Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company
Relevant Issues
Copyright, Metro-Goldwyn-Mayer (MGM) / The Weinstein Company

Why does God allow innocent people to suffer? Answer

What about the issue of suffering? Doesn’t this prove that there is no God and that we are on our own? Answer

What kind of world would you create? Answer

VIOLENCE—How does viewing violence in movies affect families? Answer

A single man or woman can help change the world. Read about some who did with faith and God’s help…
Jesus Christ, Noah, Abraham, Joseph, Moses, and David

Featuring Harrison Ford, Ray Liotta, Ashley Judd, Jim Sturgess, Summer Bishil, Cliff Curtis, Alice Eve, Alice Braga, Josh Gad, Lizzy Caplan, See all »
Director Wayne Kramer
“Running Scared,” “The Cooler”
Producer C.O. Films, The Kennedy/Marshall Company, Road Rebel, The Weinstein Company, Michael Beugg, Wayne Kramer, Frank Marshall, Gregg Taylor, Bob Weinstein, Harvey Weinstein
Distributor
Distributor: Metro-Goldwyn-Mayer (MGM). Trademark logo.
Metro-Goldwyn-Mayer
(MGM), owned by Amazon® through MGM Holdings, Inc.


“Every day thousands of people illegally cross our borders… only one thing stands in their way. America.”

Here’s what the distributor says about their film: “A multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. Explores the border, document fraud, the asylum and green card process, work-site enforcement, naturalization, the office of counter terrorism and the clash of cultures.

Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In ‘Crossing Over,’ writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find—and create—in 21st century L.A.

Kramer’s intersecting stories, both cathartic and tragic, are brought to life by an international ensemble.”

Volunteer reviewer needed for this movie

See list of Relevant Issues—questions-and-answers.


Viewer CommentsSend your comments
Positive
Positive—The movie, “Crossing Over,” was an insight into people’s lives which some of us seldom see or hear about in our own protected world. It helped to see people from a different angle, from their side. Immigrants are people just like anyone else, and God is the judge of their hearts as well as ours.

There was nudity and sex, maybe too explicit for some. Here, it was simply portrayed in a very realistic way. This movie shows these peoples' lives and struggles, including the challenges which the patrol officers have to face every day. Some were hardened to it, but others, like the main actor, Harrison Ford (Max), had a heart that felt for these people, especially those who had entered the country illegally, but had families to feed and were simple people, like the Mexican woman, Rosa.

One day we’ll all give account to God for the people who He put in our path, wanting us to reach out to them with God’s love, encouraging them, praying for them, instead of judging them or thinking they’re too bad, sinful, dirty or whatever it is that impedes anyone from helping them in the same way you’d help anyone else.

If you’re looking for action and fun or a family movie, this is not one for you to watch. It would be only for mature, discerning adults, and even then, not for everyone.
My Ratings: Moral rating: Offensive / Moviemaking quality: 4
Jan, age 58 (Guatemala)
Neutral
Neutral—This movies does have some gratuitous nudity. Just don’t watch it (it wasn’t sexually stimulating). The main thrust of the movie is tolerance and compassion. Don’t just enforce harsh laws. The downtrodden are people too and should be cared for, not exploited. I can’t remember whether the language was offensive or not.
My Ratings: Moral rating: Offensive / Moviemaking quality: 3½
Michael, age 44 (Canada)
Negative
Negative—My comments are simple. If you are a Christian who is sensitive to the Holy Spirit and not wanting a movie filled with language, sex, nudity and violence to quench the Spirit and offend the Spirit… then DO NOT see this movie. I shut it off within 30 min because it was filled with content that easily would offend Holy Spirit. Don’t allow this stuff into your soul, it’s terrible. The beginning of the movie is confusing and all over the place… boring.
My Ratings: Moral rating: Extremely Offensive / Moviemaking quality: 1
Scott, age 35 (Canada)
Movie Critics
…You can feel the characters being moved around like pieces on a chessboard in “Crossing Over,” an overweeningly deterministic mosaic of U.S. immigration case studies. … the way the picture dwells almost exclusively on cinematically exploitable elements—gangbanger crime, prostitution, honor killing, terrorism paranoia—gives it a sordid patina that even the classy, able thesps can’t offset. …
Todd McCarthy, Variety
…Just when you thought it was safe to avoid “message” pictures and Oscar hopefuls…
Lou Lumenick, New York Post
…If Mr. Kramer’s outrage felt honest, his film would be easier to respect. …
Manohla Dargis, New York Times
…Heartfelt but heavy-handed critique of American immigration policies. …
Stephen Farber, The Hollywood Reporter
…so eager to go for the emotional jugular that it never quite forges an enlightening point of view. …
Owen Gleiberman, Entertainment Weekly