Reviewed by: Pamela Gardner
The reality of the HUMAN SOUL
Vast electronic network permeating society and every aspect of human life / Compare to Bible prophecies of the coming global control of the Anti-Christ, the mark of The Beast, and the Great Tribulation
Secular speculations about what the FUTURE will be like / Compare to Bible prophecies about Earth’s future, especially see What will the biblical Millennium be like? and Millennium (WebBible Encyclopedia)
Criminal computer hackers
Cyberpunk culture—a genre of sci-fi set in a LAWLESS SUBCULTURE of an oppressive society dominated by computer technology.
harmful uses of technology
need for justice
Development of artificial intelligence technology
The goal of evolving humankind by making augmented cybernetic humans or human-cyborg hybrids
|Featuring:||Scarlett Johansson … Major Mira Killian / Motoko Kusanagi
Juliette Binoche … Dr. Ouelet
Pilou Asbæk … Batou
Takeshi Kitano (“Beat” Takeshi Kitano) … Chief Daisuke Aramaki
Michael Pitt (Michael Carmen Pitt) … Hideo Kuze
Chin Han … Han
Danusia Samal … Ladriya
Lasarus Ratuere … Ishikawa
Yutaka Izumihara … Saito
Tawanda Manyimo … Borma
Peter Ferdinando … Cutter
Anamaria Marinca … Dr. Dahlin
Kaori Momoi … Hairi, Motoko’s mother
|Director:||Rupert Sanders—“Snow White and the Huntsman” (2012)|
|Distributor:||Paramount Pictures Corporation|
Mira Killian (Scarlett Johansson) is the sole survivor of a cyberterrorist attack, but her body is damaged beyond repair. She is rushed to Hanka Robotics, where her brain is removed and placed in a synthetic body. She is engineered for special ops as a one-of-a-kind human-cyborg hybrid policewoman and attains the rank of Major in Section 9 of the Japanese National Public Safety Commission. Her family was killed by the terrorists, and now she works for the government to avenge them.
“Ghost in the Shell” is a movie adaptation of a popular Japanese anime series that follows this synthetic AI shell with a human brain and soul, or as they call it “ghost.”
A year after her procedure, Major is hot on the trail of a cyberterrorist wanted for killing several physicians who were employed by Hanka. While in pursuit, Major starts to feel more disconnected from Humanity than usual, with unexplained hallucinations. She is distressed that she remembers so little about her past. She begins digging deeper to discover who she really is and who her enemies really are.
There was quite a bit of controversy about Scarlett Johansson playing the lead character. Being familiar with the original franchise, I saw no problem with her playing the role of Major; I thought she did an excellent job of playing a synthetic human with a tortured past. She is a stand-out among the cast. Her fellow actors did more than an adequate job of preparing for their roles, delivering a great adaptation of the series. Even if you are not a fan of the franchise, I think most will find the plot easy to understand and follow, and will be rooting for the truth to be discovered.
There is one major distraction throughout the film, as the lead is shown in a very skin-tight costume which shows all the curvature of the female form, including breasts and an outline of female parts (not graphically shown). There are other issues dealing with morality and science gone too far, replacing God with Evolution. This could be a conversation starter with those who don’t understand how Evolutionism directly contradicts the Gospel of Jesus Christ.
Creation or Evolution—What difference does it make? Answer
Is the age of the Earth really a “trivial” doctrinal point? Answer
This leads me to be the spiritual aspect of the question running throughout the film—will science go too far? We see a lot of advancement in technology, and man is becoming more bold with what they do with God’s creation. These experimental advancements should not cause Christians much concern, because God is in control. He sees everything; nothing gets past Him. We should not worry about things that God has already seen to their completion. Many of the earliest great scientists were Bible-believing Christians and used science as a way to think God’s thoughts after Him. In modern times, atheistic scientists have perverted science that deals with the past in an attempt to block God from all consciousness, producing a morality with no ultimate right or wrong. But nothing surprises God; He’s in complete control. We, as Christians, must trust that and hold fast to His Word in these uncertain times.
Overall, I think the film was well done. The language is mild, but there are several violent fight scenes. Those who are fans of the franchise will problably not be disappointed. The film sticks to the storyline and makes it easier for the franchise to gain new fans. I do not believe this film is suitable for kids or pre-teens, because of the heavy violence and alluded nudity.
Violence: Very Heavy—but little blood / Profanity: Mild—My G*d (1), a** (1), s-word (1) / Sex/Nudity: Heavy—Major’s silicon body suit, advertisements briefly seen that include sexy women, action scene in nightclub with strippers in the background, shirtless males, Major’s bare back, scene at a urinal (not graphic)
See list of Relevant Issues—questions-and-answers.
…“Ghost in the Shell” wants it all and that simply doesn’t work. …failure to understand its source material… It fetishizes the trappings of Japan and the things that make it cool without really considering the associated context. …feels curiously barren… without the poignancy… there is such an absence of heart. …
—Cassandra Khaw, Ars Technica
…bloodless action delivered via a one-note heroine in an environment that’s both aesthetically and creatively sterile. …[1½/4]
—Barry Hertz, The Globe and Mail
…“Ghost in the Shell” is a hollow spectacle… visually stunning; a glittering, menacing dystopia set in an unnamed Asian metropolis that looks like “Blade Runner” with a billionaire’s budget… [B]
—Leah Greenblatt, Entertainment Weekly
…a heavily computer-generated enterprise with more body than brains, more visuals than ideas, as if the original movie’s hard drive had been wiped clean of all that was dark, poetic and mystifying. …
—Jordan Mintzer, The Hollywood Reporter
…Rupert Sanders’ pulse-quickening, formally stunning live-action take on the manga classic both honors and streamlines its source…
—Guy Lodge, Variety
…Slickly packaged, but verging on sensory overload, “Ghost in the Shell” leaves a little to be desired… the filmmakers have opted for flash over contemplation; image over reflection. …
—Chris Knight, National Post [Canada]
…The ravishing sci-fi noir “Ghost in the Shell” is fascinating, and not without its glitches…
—Justin Chang, Los Angeles Times
…“Ghost in the Shell” revamp is in need of a better upgrade… The interface might be cool, but the inner workings just don’t compute.
—Brian Truitt, USA Today
…It’s not an improvement on its trippy inspiration. But it’s not a desecration, either. …
—Stephen Whitty, ArtiSyndicate
…You’ll enjoy this cyberpunk wonderland if you turn off your brain… [2/4]
—Sara Stewart, New York Post
…a disappointment… a slick but plodding recycling of tired cyberpunk clichés that adds nothing new to the genre…
—Joey O'Bryan, The Austin Chronicle
…Dazzling “Ghost in the Shell” is lost in translation… it's the supporting performances from the notably international cast that stand out—particularly Kitano, Batou, Pitt and Juliette Binoche…
—Jake Coyle, Associated Press