Seven Psychopaths_____
Moviemaking Quality:
Primary Audience:
Adults
Genre:
Crime Comedy Drama
Length:
1 hr. 49 min.
Year of Release:
2012
USA Release:
October 12, 2012 (wide—1,475+ theaters)
DVD: January 29, 2013
Relevant Issues
kidnapping / kidnappers illegal drug use writing a screenplay / screenwriter FILM VIOLENCE—How does viewing violence in movies affect families? Answer
Producer’s synopsis: “From Oscar-winning writer and director Martin McDonagh comes a star-studded, blood-drenched, black comedy. Marty (Colin Farrell) is a struggling writer who dreams of finishing his screenplay Seven Psychopaths. All he needs is a little focus and inspiration.
Volunteer reviewer needed for this movie—Request this assignment See list of Relevant Issues—questions-and-answers. Movie Critics
…dark, exceedingly violent comedy… graphically gory, obstinately obscene, over-the-top satirical farce… …This is one crazy bastard of a movie, but too many of its moments of let’s-subvert-the-genre seem to leave McDonagh stranded and flailing at just the moment when a Tarantino movie or a Chuck Palahniuk novel is snapping into place.… [2½/4] …But put a gun in the hands of Woody Harrelson and some glorious gab in the mouth of Christopher Walken—the most deadpan of deadpanning thespians—and it’s impossible not to make something of this profanity-flying conflation.… …7 psychopathically good performances… It’s the performances that hold the movie together when the crazed ambition of this enterpise threatens to pull it apart.… …a rambling accretion of superviolent nihilist riffs that evoke Tarantino… Some of the film is fun for moviegoers… Still, the violence wears you down. Like one of its nutso characters, “Seven Psychopaths” has a death wish. …this is a delightfully goofy, self-aware movie that knows it is a movie.… All of the actors are good… [3½/4] …An energetically demented psycho-killer comedy set in faux-noir L.A.… McDonagh has a fine time deconstructing movie genres… [B+] …sporadically funny, blood-splattered comedy… Mr. McDonagh has written and directed a comedy of cruelty that’s predicated on the dubious idea that the spectacle of creative failure is comic (rather than absurd). That this is largely a lie, unless it’s Mel Brooks doing “The Producers,” should go without saying, and it’s instructive that Mr. McDonagh sells the lie slathered in blood, which suggests that there’s a great deal of boiling rage or maybe self-loathing beneath the jokes, the cake-and-eat-it-too attacks on women and movie allusions. Sorry, no viewer comments received yet. If you have seen this movie and would like to share your observations and insights with others to be posted here, please contact us! |