Expecting a film about the nineteenth century French emperor? If
so, the movie could entail a fabricated story about how the fascist leader
tried unsuccessfully to invent explosives. But the title of that flick
would be “Napoleon Blownapart.” No, Napoleon Dynamite is a totally new,
modern character, and as authentic and uniquely drawn as the film that is
named after him. In this forum, you’ll be infused with independent cinema
and explode with laughter.
Perhaps adhering to the idea that it’s “chic to be geek,” newbe director,
Jared Hess, has spared no expense in celebrating his anti-hero, Napoleon
Dynamite (Jon Heder), a completely socially inept high school student in a
small Idahoan town. Napoleon lives with his gruff, four-wheeling
grandmother (Sandy Martin) and his thirty-two year old effeminate brother,
Kip (Aaron Ruell), and is the epitome of the passé idea of “nerd.”
Centered around typical teenage issues involving high school dances,
student government elections and frustrated adolescent love, the
uncomplicated plot is clearly a platform to highlight the quirkoholic
character Napoleon.
As conventional as some of the story choices are, they work, and the film
is so well built with other refreshingly original choices that it’s
nothing to scoff at. Beyond his name, Napoleon amuses us with his usual
abrasive tone and fantastic stories. In the locker room, the jocks pick
on him and ask what he did last summer. He irritatingly replies, “I told
you, I was hunting wolverines with my uncle in Alaska!” Also entertaining
is Kip’s relationship with his internet girlfriend, LaFawnduh (Shondrella
Avery), and Uncle Rico (Jon Gries), who comes to be guardian over Kip and
Napoleon while their grandma is away. And their karate lesson at the
local dojo gives us more to laugh at.
As raw as this film is, the cleanliness is quite incomparable to most
contemporary comedies. At no point was any cuss word detected. The
closest it comes is when Napoleon is frustrated and adds in a “freakin'”
or “flippin'” to what he says. The most offensive thing might be a
business Uncle Rico starts later, working with breast enhancers. It is
only mentioned a couple of times and over the course of the film as we
have learned to dislike Uncle Rico, our distaste for him is associated
with this business. This film does not try to be anything other than it
is: a newfangled, straightforward comedy to incite honest laughter.
With blatant attempts to make us laugh, there are a few moments where we
hit our head on the ceiling of the humor. Still, the reason we can find
Napoleon so amusing is because, to some degree, we might identify with
being the outcast or with the awkward adolescent era of our lives.
Underneath all of the mockery, we can have sympathy for people like
Napoleon struggling to find acceptance and their place in this world.
Where Gus van Saint’s “Elephant” might be a depiction of the tragedy of
high school misfits, Napoleon Dynamite is the comedy. And the ending is
capped off with a euphoric experience that leaves you uplifted.
Violence: None / Profanity: Minor / Sex&Nudity: Minor