Concerning TolkienThree Stars of “The Return of the King” and Their Different Responses to Tolkien’s Books by Jeremy Landes
After seven years of filming Middle Earth, the world J.R.R. Tolkien created for his characters in The Lord of the Rings, you might be tempted to believe that some of the author’s strong moral and religious values, imparted to his characters, would rub off strongly on the actors. But you would be wrong in most cases.
Case in point, Aragorn, the warrior king who heads to Mordor in order to defend his race (mankind). In Tolkien’s books, Aragorn is a warrior who risks all to save the world from orcs and evil men—ruled by the power of Sauron, a dark lord. To accomplish his mission, Aragorn is required to take the mantle of kingship passed down to him by his forefathers. Fulfilling prophecy, like Christ, Aragorn is even able to heal his friends from wounds inflicted by powers of evil. Tolkien’s Aragorn (aka King Elessar) knows that injustice and evil, wherever it is taking place, must be corrected and rooted out—even when its victims seem small or insignificant, like hobbits. When King Theoden of Rohan and Denethor the Steward of Gondor refuse to fight, despite encroaching evil, Aragorn leads the charge and proves why he is destined to become king. By contrast, Viggo Mortenson (an excellent actor who portrays Aragorn), at a recent “Return of the King” publicity meeting for the press, exercised his right of free speech (as a U.S. citizen) to criticize President Bush and U.S. leaders for “polic[ing] the world” and acting out of “self-interest” because of recent actions in Afghanistan and Iraq. Referring to U.S. leaders’ decision to invade Iraq despite the United Nations’ wishes, Mortenson says,
Many of Mr. Mortenson’s politically-charged comments throughout the interview showed blatant disrespect for those currently in authority, though he does not exclude himself from deserving some scorn. When asked whether he learned any life lessons that he could pass onto teenagers, he spoke about his 15-year-old son, who, he said, “has a healthy lack of respect for me.”
Gandalf the Grey (resurrected as Gandalf the White in the second film) is, without a doubt, the spiritual leader of the fellowship of the ring. Acting as a father figure to the two main heroes, Aragorn and Frodo, he promotes qualities of mercy and righteousness in contrast to his evil counterpart, the wizard Saruman. In the first film of the trilogy, Gandalf encourages Frodo, saying,
Tolkien’s Gandalf clearly recognizes a more powerful force (though it’s never referred to as “God”) than himself, and he calls upon it when he’s in danger (listen again to the words he uses while facing the Balrog, a “demon from the underworld,” in the first film). Tolkien said that Lord of the Rings was “a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision.” Sir Ian McKellan (X-Men) admirably performs his role as both Gandalf the Grey and White. Smiling, he related his perspective of Tolkien’s ideal, rural home for hobbits, The Shire, saying:
McKellan correctly states that Tolkien’s characters never worship gods in any fantasy religion. But both Tolkien, in his Forward to the books, “Concerning Hobbits,” and also director Peter Jackson (at least in the extended cut of “The Fellowship of the Ring”) take pains to discuss the beliefs and credos of the Shire—a place of “good tilled earth” where hobbits love one another almost as much as their beer and tobacco. (Note: During his interview, McKellan cracked wise, “You think it’s tobacco they’re smoking, do you?”) Despite Tolkien and Jackson’s Gandalfs consistent prayers throughout the book and films, including his reassurances to the hobbit, Pippin, that a glorious eternity awaits, if and when death should take him, Sir Ian McKellan maintains,
Editor’s note: To learn about why church is important, click here. McKellan was not alone among his fellow actors, as they asserted their belief that humanism and environmentalism were Tolkien’s central story motifs, brushing past the author’s more Christian-based ideals that evil, in and of itself, exists, alongside innocence and pure beauty. If you would like to read more in depth about Tolkien’s Christian analogies, make an effort to find his book, On Fairy Stories. Unlike C.S. Lewis’ Chronicles of Narnia, where a lion represents Christ, one cannot assume that Lord of the Rings characters represent particular Biblical characters or that its stories are attempting to make a religious point. But the fact is that Tolkien, a devout Catholic, helped lead Lewis towards a saving knowledge of Christ. Characters in “Rings” live in a moral universe where absolute evil must be recognized in oneself and others, then either surrendered to or fought. This article’s purpose is not to chastise the film’s actors for not becoming Christians as a result of their involvement with Lord of the Rings. It is written to help moviewatchers understand a fundamental difference between some of the actors (who may now be looked upon as heroes for the rest of their careers) and the characters they have played with excellence, putting aside their own creeds in submission to Tolkien’s views.
Recalling his summer holiday in 1956 colonial Africa, Rhys-Davies remembers his father pointing to boats in the harbor that carried goods, which included African children sold into slavery. The father said to his son John,
Rhys-Davies’ dad went on to say,
The eleven-year-old told his father,
His father maintained,
Rhys-Davies lamented the fact that his father has died, if only so he could tell his dad how right he was. Rhys-Davies went on to explain,
Besides democracy, he named women’s rights and the abolition of slavery as excellent results of Western civilization that now need protection. Whether Rhys-Davies was inspired by Tolkien to assert these creeds, or if he held these beliefs long before, the actor proved that he shared an understanding of Tolkien’s values that went beyond the author’s love for nature. John Rhys-Davies wrapped up his interview saying,
Read our review of “The Return of the King”. |