Reviewed by: Denny Wayman and Hal Conklin
Reprinted with permission from CinemaInFocus.com
Starring: Nia Vardalos, Gia Carides, John Corbett, Joey Fatone, Ian Gomez | Directed by: Joel Zwick | Produced by: Tom Hanks, Gary Goetzman, Rita Wilson | Written by: Nia Vardalos | Distributor: IFC Films
In the film genre in which cultural differences are the basis of the humor, “My Big Fat Greek Wedding” takes the proverbial cake. Though much pain has come from the racial and cultural differences that divide us, the hope for our future rests in our being able to love and accept one another not in spite of our differences, but because of them.
This message, that people exactly like us are boring and that we would find people of other cultures more captivating, is clearly the meaning behind story. With a mutual attraction that creates not only some humorous antics but also some endearing vulnerabilities, Ian Miller (John Corbett) and Toula Portokos (Nia Vardalos) begin an unlikely dating relationship.
Toula is a member of a large and proud Greek family whose primary business is a Greek restaurant. Portraying her family in caricatured extremes, Toula has only one purpose in life: to marry a Greek man. But now, at the age of 30, this possibility seems to have passed her by. When Ian enters her life, he provides the spark that begins a whole process of differentiation in which Toula begins to make her own choices about her life.
However, this American value of individuality is tempered within the film as she struggles to accept both her family and her new, non-Greek lover. And so she indirectly asks Ian to convert to her Greek Orthodox faith.
This is perhaps the most disappointing aspect of the film. Religious foundations of our cultural differences are strong and deep. But the film presents such a shallow view of his conversion that it pictures him being baptized in an inflatable kiddy pool in the beautiful sanctuary of Toula’s church. Our lives could have been enriched by exploring the moral, ethical and religious struggle we have when cultures clash.
Marriage from the perspective of Toula’s Greek family is not just the uniting together of two people, but it is the joining together of two clans. It is the clan that can be the fortress that holds the family together, or the prison that keeps one in chains. By contrast, as exhibited by Ian’s family, marriage can become just another consumer decision with utilitarian value shared with business associates at “the club.”
Nevertheless, the celebration of life presented in “My Big Fat Greek Wedding” is a wonderful message of the value of family with its cultural traditions and relationships. Such a message is helpful in defining and celebrating our own family, culture and religious heritage.
Year of Release—2002
This movie was a typical chick flick. The bottom line is any true believer should be offended by this movie. All other reviewers left our the fact that the name of our Lord Jesus was used as well as the many times that, “Oh my God” was heard. This movie should not be seen by anyone under the legal age limit as it promotes premarital relations, alcoholic beverage consumption, and foul language in any degree is unacceptable especially when inviting children to view a film. I know this movie was trying to depict the humor in the Greek family and this wedding situation, however a true Christian review should warn believers of all trappings, especially when the name of our Savior is used as an expletive. I saw no warning in any of your reviews and we had to sit there while Jesus was once again shamed.
—Teresa Ricci, age 49